By Leah Linhares
Photography: Charuvi Design Labs
Read Time: 2 mins
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Imagination
is a drug that runs deep in the veins of those, who dare to see beyond
boundaries; artist-designer, Charuvi Singhal is gifted with vision that sees
the world through a kaleidoscope...
Studio head
of the eponymous Charuvi Design Labs, the
artist-designer, who is a graduate in art and animation, is fascinated with the
idea of creativity transcending boundaries; consequently merging the two worlds
of art and technology through her work.
Standing as a
testimony to her love for these blending disciplines are her recent works: Kaivalya
& Divine Vibrations a.k.a Hanuman Bell Sculpture. The latter is a
magnificent self-funded interactive bell sculpture of Lord Hanuman, which was recently
on display at Ramlila Maidan, Delhi during the auspicious occasion of Navratri and is now stationed at Sultanpur.
At a
glorious 25 feet, weighing 2 ton, the sculpture was made purely out of twenty six
thousand bells! The majestic figure stands within a glass enclosure
supported by four metal pillars and a stainless steel grid on the
top and bottom that binds the fish cords together.
Kaivalya blossomed from Divine
Vibrations, commissioned by a private client, who wished to have something on
similar lines at his private residence.
So, infusing the same sense
of spirituality and quintessence into her new work, Charuvi, this time decided
to recreate the elephant’s stance of offering a lotus to Lord Vishnu, from the Puranic legend “Gajendra Moksha” or
“The Liberation of Gajendra”.
Kaivalya, the notable
character from the Puran is a
stunning 12 footer, 1.5 ton, brought to life using ghungroos suspended on fish cords. The lotus that Gajendra offers Lord Vishnu is yet be
made for the installation.
Both sculptures are made of
materials that hold a significant value in Indian culture; both, the bells and ghungroos are used to evoke optimism
through a medium that is universally known for its positive vibe: music. Unlike
the Hanuman Bell Sculpture, Kaivalya
was created with the intention to emit a rhythmic sound of the legendary Gajendra Stuti (hymn sung by Gajendra in
praise of the lord), thus heightening the experience of viewing the
installation.
The fish cords play a vital
role in the design process. Blueprints are designed with core focus on colour
coding each specific string. This ingenious system helps keep the bells/ ghungroos in a precise position on these cords to
form the anatomy of the godly build; which helps in enabling these sculptures
to be dismantled and erected precisely in 48 hours.
Creating something out of
the ordinary might not be everyone’s forte but if blessed with an eye for imagination or rather,
a vision for something more, then even converting something as simple as a bell
into something majestic as these installations seems like a piece of cake...
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