By Neehar Mishra
Photography: Courtesy
Vickram Singh Bawa
India’s ace fashion photographer Vickram Bawa talks to IAnD about his journey in the world of art and what it takes to be a successful fashion photographer.
Building a
successful business out of one’s passion is no mean feat, and Vickram Bawa’s
journey to becoming one of India’s most well-known fashion photographers is
every bit inspiring: not only has he braved to steer clear of the conventional
to pursue his passion, but has also established himself as a brand to reckon
with in the world of fashion and photography.
From directing
music videos and short films to writing, Vickram has successfully dabbled in a
wide range of fields, but it is his trademark experimental style of
photography, through which he continues to push the boundaries of the art that
has earned him a spot among India’s most influential photographers. He was the
first person to undertake 3D photography in India, creating 3D covers for
reputed publications, before it became mainstream.
His works, be it
in the field of photography, films or animation, have been showcased world
over, winning him various awards and accolades like the Masters Cup, Prix de la
Photographie Paris, and the absolutely recent Asian Photography Most
Influential Photographer Award 2016!
In an exclusive
chat with IAnD, Vickram talks about the struggles and rewards of pursuing
fashion photography as a career.
What prompted you to pursue a career in
fashion photography?
It was a journey
I believe that brought me here. I grew up looking at beautiful photographs of
my mom and dad dressed up and posing all the time. When I was young I saw my
mom creating fashion garments for her boutique and exports. I guess all that
filtered through my senses and even though I went on to study and work on
subjects highly removed from photography, these visuals from my childhood
stayed with me and steered my course towards fashion photography.
After such a rich and varied exposure in
terms of "on-field" work, what is that one thing you wish you could
have learnt as a student, which should have been part of your syllabus?
Hands-on
training can never be substituted for the focused and planned training that is
imparted to students during a fixed time. For example, what students have an
opportunity to study in four years may have taken me 10 years. I wish I had
someone teaching me the intrinsic nature of design sensibilities needed in
photography. This took a while for me to learn.
Two do’s and don’ts that you could share
with a student aspiring to pursue fashion photography ...
Don’t hesitate
to experiment and push the boundaries. And do not ever copy!
What in your opinion is the better path—freelancing
or employment?
Well, both have
their advantages and pitfalls. Freelancing affords you the opportunity to pick
and choose your job and pricing, to work at your own pace and for your own creative
satisfaction. Employment brings a sense of security and better financial
planning once you are settled in a job, though it may not provide you with the
same amount of freedom and creativity. I always advise newcomers to have a
steady job, while continuing to plan and save up enough money to branch out on
their own later, if possible.
Nice photography. Thanks for sharing.
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