Compiled by Team IAnD
Photography: Courtesy the
artists
Two artists revisit the
international platform promoting their paintings at the Designersblock venue of
the London Design Festival 2015...
An artist aspires to grow
exponentially both, in stature and knowledge as his art begins to mature into a
work to reckon with. And at this juncture of his career, what would be a better
way to gain widespread exposure than an international showing?
Artists Eknath Giram and Arun
Awasarmol are exhibiting as part of the India Pavillion at the Oxo Tower Wharf
in London. Both Mumbai-based, depict a distinctive treatment of the canvas and
brush.
Whilst a keen interest in creating and displaying different
art forms has been an integral aspect of artist Arun Awasarmol’s repertoire; Eknath Giram has slowly carved a niche for his figurative style in
mainstream art. His distinctive style is expressionist semi-abstract
figurative, with elongated necks and figures, oft likened to that of Italian
painter Modigliani.
In
the current exhibition, Arun is showcasing mixed medium on canvas based on his childhood memories of
various mythological stories and religious tales and their deep impact on his
mind. He endeavours to express the memoirs in his typical
style glorifying rich Indian heritage highlighting Indian culture and
tradition.
Strategic highlights emphasize the
artistic expressionism leading to presenting the various religious mindscapes
of different characters involved giving due importance to the apt amalgamation
of the proper outline of the work, details of the surroundings and background
showing seasonal and ecological peculiarities relevant to the theme and the apt
colour tones using perfect balance thereof and the rhythmic synchronism of the
artistic innovations with his thinking and rational outlook. Consequently, his
work presents the superb pictorial view of thematic particulars.
Eknath continues into a new realm of
Krishna and his tales, taking his thematic through via muted shades and subtle
tonal variations that anoint the canvases with depth and lend tangibility to
the works of art. Contemporary in format, Eknath’s Krishna is resplendent not
in feature and stature but in sheer colour. Surprisingly, the only thing that
identifies this ladies man is the presence of his flute. No customary hallow;
no peacock feather. In fact, most of the figures are generally the same except
for a change in profile or in the position of the head. The figures appear in
simple garments; no other ornamentation is visible.
The figures are fluid,
sensuous, limpid, indicative of languorous pellucid movement prancing to the
vibrancy and ethnicity depicted by his distinctive individuality. The canvases
come alive as a strange blend of reality and magical fantasy; free, spontaneous
and characteristically structured.
There is an unmistakable tranquility in the art although the canvases sprout with colour and one is compelled to wonder, where the artist gets the bouquet of colours and the confidence of such brilliantly fluid strokes.
Artist Eknath Giram with his exhibits at LDF 2015 |
There is an unmistakable tranquility in the art although the canvases sprout with colour and one is compelled to wonder, where the artist gets the bouquet of colours and the confidence of such brilliantly fluid strokes.
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