By Savitha Hira
Photography: Courtesy SNK
Architects
Read Time: 2 mins
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Ar. Brinda
Somaya once again articulates space not just to define its requisite function
but, to effect a more profound inner calling for a group of impressionable
youth...
An architect’s
role in social change is a value-add to the structure that he proposes to
build. Known for her sensitive, sustainable and nature-oriented methodologies
in design, Brinda has often toed this line of thought, willy-nilly designing an
edifice that is much more than what it purports to be functionally.
The 1500 sq. ft.
prayer room at the Goa Institute of Management is conceptualised as a
meditative space to foster quietude, meditation, and yoga and what-may-apply
for a moment of serenity for the students of the institute.
For a multi-faith
congregation space that needed no physical religious symbol, the space is
designed to manifest the abundance of the open surroundings; the views of the
laterite clad majestic hillocks; the football ground and the free-flow of light
and wind energy.
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With the campus located
on a 50 acre picturesque land parcel at Sanquelim, north-east of Goa, the
prayer room is situated in close proximity to the student and faculty
residences; its simple facade contrasting with the laterite buildings. Yet,
sustaining the contextual attributes of the marked laterite vein that runs
through the site, the entrance wall of the prayer room is made from the natural
stone and aesthetically flanked by a black sculpture to highlight the space
sans a visible signage.
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The
steep drop of approx. 6m from the main access corridor connecting the various
campus facilities is advantaged by positioning the building mass here and
minimising cut and fill. Paradoxically,
generating a keen sense of intrigue for a space of calm, the entry is split into
two levels: one that gives the feeling of a vertical narrow corridor with
laterite stone wall on one side and a glazed ceiling leading to the prayer room; and the second
inside the prayer room, which lets one into the light-filled volume of the main
space.
The
building is so oriented that a large glazed facade on the south-eastern side
lets in the early morning sunlight and a deep cantilever projection cuts off
the heat later in the day, defining the architectural vocabulary of the built mass.
The north-eastern façade too has vertical fenestrations, which create
chiaroscuro elements inside.
The
natural palette is sustained within, as the fenestrations are clad with
Jaisalmer stone and juxtaposed with horizontal wooden members to add warmth to
the space, in stark contrast with the exteriors. The internal volume
accommodates 50 persons in the congregation area and has a raised platform along
the southern and eastern edges, silently inviting; and underlining the fact
that spirituality is a universal need. The building that appears humble is
actually a strong meditative space – emoting and evoking the spartan linearity
of one’s inner calling.
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