By Jigna Padhiar
Photography: Courtesy
Sakshi Gallery
Revisiting
histories, Indian artist Rekha Rodwittiya’s latest exhibition makes for apt
social commentary in current times...
“Feminine space of survival” is an area that many an enquiring artist has engaged with. Layered with critical narratives involving self in relation to the larger world, renowned Indian artist Rekha Rodwittiya’s latest exhibition at the Sakshi Gallery in Mumbai, aptly reflects her long-time muse – feminist articulation – in a compendium titled ‘Matters of the Heart’.
“Feminine space of survival” is an area that many an enquiring artist has engaged with. Layered with critical narratives involving self in relation to the larger world, renowned Indian artist Rekha Rodwittiya’s latest exhibition at the Sakshi Gallery in Mumbai, aptly reflects her long-time muse – feminist articulation – in a compendium titled ‘Matters of the Heart’.
Using a
monumental female figure as the central focus of her canvases, the artist dots
her protagonist with a full-bodied frontal view, distinguished and arresting in
demeanour, often lone, unrelentingly gazing at the viewer. And she continues to
stand tall – irrespective of the many representations – torture, betrayal, and
celebration... from indignance to softer emotional hues... her colour palette
veering from one end of the spectrum to the other to convey the ethos.
Synonymous with
the title, the paintings in this exhibition have the protagonist’s bodies detailed
with personal histories in the form of autobiographical photo images, which have
been superimposed by watercolours. This
set of paintings marks the comeback of photographic images, as the artist picks
up the camera after almost three decades.
Metaphorical objects
from the everyday, held in the hands of the protagonists, take the viewers
attention to the actions, meanings and associations that these objects
might carry in the life of the artist and are open to interpretation to the
viewers. The viewer becomes witness to many a histories, desires and memories,
at the same time confronting his/her own.
The works of art powerfully define Rekha’s feminist political engagement yet again. One can get
distracted... are the photographic images creating the female form or is the
body holding these images together? While deep within, a small voice questions
much beyond this scenario – the current status of women in the Indian society.
Medium: Digital Inkjet print with autobiograhic photo images and hand-painted watercolour on Paper
Dates: Dec.5-31, 2013
Dates: Dec.5-31, 2013
Venue: Sakshi Gallery, Mumbai
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