By Savitha Hira
Photography: Courtesy IDF 2013
|
India Design Forum 2013 Mumbai |
With
the India Design Forum 2013 summing up the design scenario in India as largely
aware and progressive, does the overall picture necessitate the intervention of
more such interactive platforms that can make design come of age?
Last
week, India Art n Design asked you all a very compelling question – “Where have
we, as a growing-design-awareness-nation reached? How close are we to our
global counterparts? Or is the road ahead still full of stumbling blocks?”
|
Armando Brancini |
The thought
was propelled by 2 significant growing-awareness conferences that were held to question
design status in India. India Design Forum that was an intense two-day
conference attempting to better understand the discipline of design in India
has concluded on a positive note. With various internationally renowned design
thinkers adding their valuable insights into the kitty of receptive mind-sets, the
chances of the road ahead paving the way for smoother design-industry-layman
interaction could only be strengthened by “involving policymakers - the men and
women in power who need to fund and implement design sensitive policies”, as
aptly pointed out by Atul Punj, chairman, Punj Llloyd Group, who have supported
the IDF venture from its inception. This further mulls the fact that probably
more such platforms need to be raised, asserting design education, values and
solutions.
|
Subodh Gupta |
Overall,
encouraging facets of the conversations revealed that while the “current
generation is starting to identify design as a process- a way of thinking” as
stated by Dr Isher Judge Ahluwalia, chairperson, Board of Governors, ICRIER “Design
is getting connected to business and commerce”, the need of the hour is to
harness “the power of design to humanize, unite and surprise”, as UK architect
Thomas Heatherwick proclaimed and substantiated with his own portfolio.
|
Ar. Rahul Mehrotra |
While
there is aplenty to solve and reallocate in the everyday approach to design in
the broader social, cultural and political spectrum, to effect a scenario of
informed design-oriented decision-making calls for “both sides - the client and
the designer - to empathize with each other, to understand each other's perspective
and constraints”, to take the journey together to arrive at the desired
pinnacle of design excellence. This very
significant aspect that possibly marks the bottom-line of design success was
diligently debated in a discussion on ‘Creativity and Innovation in Business’
by stalwarts like Abanti Sankanarayanan, MD, Diageo India; Nick Talbot, Global
Design Head, Tata Elexsi and Rodrigo Rodriguez, Vice Chairman, FLOS, and
moderated by none other than Parameswaran Venkataraman, Head, IMRB Innovation
Labs, Member, Executive Council, Centre for Emerging Markets Solutions, Indian School
of Business.
|
Christian Louboutin |
And
the most important injunction, as eminent Fashion designer Sabyasachi Mukherjee
pointed out is that Indian designers “understand and appreciate the strength in our
own legacy and revel in it”, creating and glorifying a distinct Indian identity
on the global design platform.
|
Amitabh Kant |
|
Shammy Jacob of SAAF Foundation |
Visit www.indiadesignforum.com for more details.
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