By Marina
Correa
Photography:
Nina Mascarenhas and Soumitro Ghosh
When one thinks of a memorial in India, the
mind’s eye conjures up an obelisk with an inscribed narrative or statues of stone
soldiers. Breaking away from the conventional, the National Martyr’s Memorial
in Bangalore, India, is a green oasis of quiet remembrance and homage.
“After engaging with the client’s brief and
pouring over various case studies of memorials in India and abroad, we settled
on expressing solemnity primarily through a landscape gesture, where the built
form is incidental,” explains architect Nisha Ghosh.
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The ceremonial path of commemoration begins with
inscribed, free-standing slabs of granite amidst thick vegetation that bear the
names of 21, 763 martyrs chronicling the struggles and triumphs of the
courageous soldiers lost to war -- pretty much evoking images of standing open
pages in a forest like those seen in fairytale books.
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Continuing on this path through large open courts
via amphitheatre-like steps one proceeds below ground into a motivation hall,
where abstract tree motifs on walls are juxtaposed against plaques carrying
information on martyrs and finally culminates at a towering flag post. Using a
reference from the past, an impressive 19.6 meters ‘Veeragalu’ (a naturally-occurring rock in Karnataka used
historically to honour martyrs) sits besides the flag pole.
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Taking the green initiative forward, the
motivational hall is designed to disappear into the ground and the structure
below meanders between roots of trees; sublimely showing off great maturity as a
lovingly patted mound of earth. Also noteworthy is that though the site
measures a whooping 6.5 acres, the built up area totals a mere 1,300 sq mtrs,
indicative of the strong sentiment of preserving the vast green cover.
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In keeping with the overall inconspicuous built
form, stepping through the nondescript entrance of the hall feels like slipping
through the cracks and into a bunker with exposed concrete walls. Light and ventilation filters through natural openings and
skylights.
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Atop the structure,
miniature models of fighter jets, submarines and missiles contributed by
various defense organizations, are a solemn reminder of why memorials come into
being in the very first place.
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What an exquisite space.
ReplyDeleteWhen it comes to memorials I believe "less is more; " it should lend itself to contemplation and reflection. The original Vietnam war memorial in Washington D.C., USA is a prime example. A stark wall with all the names of the fallen etched into the black granite wall. So many men and women have broken down emotionally when coming across the name of a friend, family member, or comrade. Personally, I feel that there is nothing glorious or magnificent about war; a lot of good people die on both sides. If there is a simple way to respect these individuals without "glamorizing" the conflict I am all for it and, personally, the Vietnam warr memorial by Maya Lin is the most eloquent to that end. In response to IAnD's discussion thread: What really guides a design for reverence?
ReplyDeleteA beautiful journey!
ReplyDeleteA place harbouring a sense of a fusion of impacts - that of space, time, the now, the past and the beyond - and the mind-boggling vastness of eternity and of the universe!
ReplyDelete